Another commission done! This time with three dogs on one canvas. All three dogs are close friends named Blue, Ballou and in the middle is Miss Marple. Miss Marple is the oldest and at 16 passed away. Instead of just painting their portraits as I did with the others, I wanted to include their whole body especially their toes. Their touching toes showed how close they were.
Stages: Pencil sketch, then block-in in oil on canvas and the open grisalle before the actual painting.
Just finished commissions from one client. All except one is 6 x 6 inches on stretched cotton canvas. I had been doing preliminaries drawings before going onto canvases. Then on canvas I did a grisalle with transparent red oxide for values. I found by doing these preliminary drawings and grisalles, it helps with the painting process.
Interested in a commission done for your pet click to go to my Etsy shop.
In Day 2, Oliver demonstrated with a charcoal pencil.
Oliver is using the side of his charcoal pencil 2B.
Darker values with charcoal pencil, 4B or 6B.
10 minutes poses.
10 minutes demo on Strathmore paper
Block-in beginning with a charcoal pencil 2B. Paper is Strathmore Drawing 18 x 24 inches.
To create the texture of the beard Oliver draws with squiggly lines.
Oliver shows some of charcoal pencils on toned paper.
In the afternoon we worked on toned paper. But first we did some 10 minutes warm-ups on Strathmore drawing paper. The toned paper we use Canson Tientes. Oliver suggested used the smooth side for women and children’s portraits. The textured size best for men.
Beginning with a 2B charcoal pencil for block-in.
White is added sparely. Only used on highlights and never mixed in with the charcoal. The mid-tone paper does all the work.
I learned how to use white charcoal to create volumes in the model’s beard.
Spraying is not needed for charcoal pencils. Only for vine charcoal drawings.
I took a workshop from Oliver Sin at the Liv and Chiu Art Studio in Berkeley this past weekend. Just on a whim…when I saw a post from the studio on Instagram. And I’m so glad I did. It was a weekend full of ways to work with vine and pencil charcoal.
On Saturday, Oliver introduced vine charcoal. He is a master! His Instagram is filled with vine charcoal portraits of which two are of his parents had won multiple awards.
Oliver stressed continuously to pay attention to shapes and planes – not the individual features.
Below is Oliver’s demo.
Oliver emphasized shapes, planes and values. Especially create a very dark value, value 5 so that it would be easier to establish the other values. I was amazed how dark a vine charcoal can make.
I expected to learn about using the stumps or tortillons for blending. Rarely does he blend. He blends just on the very light values…never the darker values.
Once the drawing is close to done, Oliver uses the willow charcoal for accent. He accented on the nasal bone, eyebrow bone, cheek bone, top of the forehead, the chin and under the tip of the nose at the three-quarter view. On the profile view, what would be accented are the nasal bone, tip of the nose, eyebrow bone, top of the forehead, the chin and the corner of the eye.
Oliver also pointed out the difference between a willow and a vine charcoal are that the willow is darker than the vine and there’s a dot in the center of the willow. Well we all discovered that our vine charcoal package was full of willow sticks instead. They all had the center dot in the center. The only package that had the right charcoal was ones made by Winsor and Newton.