Practicing portrait drawing for my portrait drawing class that I’m now teaching.
I had been busy with portrait drawings commissions lately. Most of the commissions came from the St. James Holiday Bazaar Annual Sales. Exposure is good!
These portraits were done with graphite and white charcoal on Strathmore Grey Toned Paper. They are sized 10 x 8 inches. Several photos were provided by the client with specific ones to based the drawings from.
Interested in getting a portrait like this done? Email me at email@example.com.
Two models, a couple. But I didn’t draw them as a couple. Just not there yet. With the male model I spend 2 1/2 hours, time to develop the values. It was his first time modeling and unfortunately his back was not allowing him to sit very long. So I concentrated around the eyes and developed that area first and then slowly went to the nose and mouth area.
With the woman I spend less time, maybe about 45 minutes. I went straight to establishing the light and shadow patterns first, not so much block in, and then developed the eye and more or less the other feature.
With time constraints, I’m learning to concentrate only what is most important.
Open studio at Patris Gallery/Studio. Three-hour pose. Here I am practicing what I’m learning at Vitruvian Studio online course on Portrait Drawing. Using a range of pencils from 2H to 8B, with white charcoal, I strived to achieve a variation of tone.
Still marching onward with the pencil portraits on toned paper. I just finished the 5 x 8 Strathmore Toned Gray pad and moving on to the 9 x 12 pad. Both drawings are based on images I found in Pinterest. In the first image I’m thinking now more about composition, instead of just drawing the face. (by the way the date is wrong. It’s not 1/21/16 but 2/21/16)
Below are the materials I normally used for the drawings, mainly mechanical pencils: Graphlet 0.9 mm HB & 2B by Pentel, Turquoise by Primascolor with a thicker lead (I had this over 30 years ago) and General’s Charcoal White. I also use a 6B pencil when I need very darks. Otherwise I build up values with crosshatching.
My final drawing is a self portrait. I don’t take very good selfies but this drawing came out better than expected.
The challenge has definitely improved my use of graphite and white charcoal on toned paper. I might dedicate a month or 24 days in this case to work on a particular skills. In any case consistent practice = improvement.
I’ll leave the Challenge with this link – Learning to See. It’s one person experience as he works to improve his drawing and painting skills dramatically.
I also want to thank everyone who had followed and like my posts during this Challenge. I had made new “friends” and discovered some fabulous artists!
I went to Patris’ studio for a three-hour pose. A young man from Poland visiting family here in the States posed for us. I spend the first 20 minutes coming up with this sketch. After practicing for 25 days, I was able to get the essentials in – establishing the light and dark patterns and hitting the highlights and deepening the darkest areas. Since the face was the focus the hair was slightly indicated.
Then the rest of the time was spend on painting. Only the Zorn palette. I mainly concentrated on the colors – getting the of the light and shadow colors of the skin. But when I stepped back I realized that I had made the light color too light. Next time I’ll go for the halftone of the light.
There are other areas I need to work on – eyes too small, nose off centered but I’m happy with the colors.