More Commissioned Portraits

Another portrait commission of siblings. Graphite and white charcoal on Strathmore tan paper. The challenge here was not to overdo it with the white charcoal. Just enough for highlights.

 

 

Want to commission a portrait drawing? Email me at marleneleeart@gmail.com.

More Pencil Portraits

Still marching onward with the pencil portraits on toned paper. I just finished the 5 x 8 Strathmore Toned Gray┬ápad and moving on to the 9 x 12 pad. Both drawings are based on images I found in Pinterest. In the first image I’m thinking now more about composition, instead of just drawing the face. (by the way the date is wrong. It’s not 1/21/16 but 2/21/16)

 

Below are the materials I normally used for the drawings, mainly mechanical pencils: Graphlet 0.9 mm HB & 2B by Pentel, Turquoise by Primascolor with a thicker lead (I had this over 30 years ago) and General’s Charcoal White. I also use a 6B pencil when I need very darks. Otherwise I build up values with crosshatching.

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Day 24 30/30 Challenge

My influence is a video demo of Costa Vavagiakis at the Art Students League of New York. He worked with graphite (mechanical pencils and white charcoal on toned paper). He explains his process very well and relates how his technique of crosshatching relates to the Renaissance masters’ method of drawing.

I love working in this way, crosshatching. It invites more freedom of expression then smoothing out the graphite. It involves layering to build up values. I only use a 2B mechanical pencil with a point .9 mm and a white charcoal pencil. Since working on gray toned paper I used a 6B – 8B pencil to get darker tones. And of course the kneaded eraser!

Day 24 30:30 Challenge
Day 24, graphite & charcoal, 8.5 x 5.5 inches by Marlene Lee

photo reference via Pinterest